Even though the majority of Amitabh Bachchan's movies are commercial successes at the BO, minting huge profits for the producers, some of his films also went unnoticed. In the year 2004, Big B featured in a horror-thriller drama titled Hum Kaun Hai. Helmed by movie-director Ravi Sharma Shankar, it is a hard-hitting thriller drama which gives an edge over the seat experience. A story about paranormal activities in a house affecting a family relentlessly until the truth unfolds.
1. Bollywood film Hum Kaun Hai is a Hindi remake of Hollywood movie The Others. Nicole Kidman played the protagonist in the highly popular film, released in the year 2001. Sannatta The Silence and Anjaane The Unknown are also Hindi adaptations of The Others. But, Sannatta The Silence was shelved by the makers when Hum Kaun Hai tanked at the box-office. Whereas Anjaane The Unknown did release but experienced a similar fate in terms of BO collections
Hum Kaun Hai 2 movie hindi
4. The makers of Hum Kaun Hai finally signed Moushumi Chatterjee to play a pivotal character in the movie, that of Nanny named Marthaa Pinto. And, were highly impressed by her performance. However, initially, they had other names in mind.
Having presented some lessons that can be learnt and applied in very practical ways in a Sales / Business presentation scenario, sometimes some very interesting insights come from very unexpected sources (the opening credits of a movie, in this case).
In 1975, he starred seen in a variety of films-- Chupke Chupke, Faraar, Mili, Deewaar, Sholay, etc. His movies Deewar and Sholay rose him to superstardom, after Zanjeer. His film Sholay was declared the 'Film of the Millennium' by BBC India in the year 1999.
On July 26, 1982, Amitabh Bachchan while shooting for Coolie, suffered a near-fatal intestinal injury. He remained in the hospital for several months but recovered. Coolie was released in the year 1983 and became the highest-grossing movie of that time.
This article discusses filmic emotion by focusing on how the dominant color (blue in Gabbeh and Meenaxi; red in Mirch Masala) is used to elicit emotion. Through alienation effect, the viewer is distanced from the aims and goals of characters, and is less likely to experience the sorts of emotions that result from identification. The first two films use multiple frames of narration leading to character(s) in the outer frame becoming like spectators, invested in, for instance, fortune of others emotions that are central to the enjoyment of movies. In Mirch Masala, narration focuses on class struggle; there is minimal engagement with characters' individual aims, goals, and desires. While the red film foregrounds social anger, the blue films foreground consciousness. The three films together ask questions about what makes war and what makes peace, and how human action and human consciousness, represented through colors, figures in all this. 2ff7e9595c
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