Williams believed that most games on the market failed to create a correct representation of the war experience, or express the psychological changes that some combatants experience after participating in a war. He added that a war is not as straightforward and immature as it is often portrayed in various shooters. As a result, a central theme of the game revolves around the moral aspect of war. By using this theme, the team hoped to tell a story and provide an experience that feels realistic, covering the combatants' mental changes during and after a military conflict, similar to how movies in the 1970s and 1980s, such as Platoon, Full Metal Jacket and Apocalypse Now convey these messages.[44] The team had the intention to give players the opportunity to show that a shooter can also have a decent story capable of invoking emotions.[49] To achieve this, the team simplified their original story setting of having Konrad as a "megalomaniac with messianic delusions" to a setting that is more similar to Heart of Darkness.[49]
Spec Ops: The Line includes several choices for players to make. According to Williams, it was a key concept to be featured right from the start of the game's development. The game does not feature a morality system, but instead has situations that give players some freedom of choice. The consequences of some of these choices were deliberately made unclear in an attempt to make them more realistic, encouraging players to explore the other potential options not directly presented by the game. These choices were inspired by Fallout 3,[40] and are often between: "what the character knows and what the player would maybe try and do".[44] To make choices more realistic, and to increase the impact of the story, the team put in a lot of morally ambiguous choices and "bad or worse" decisions.[50] Williams added that absolute good choices are not practical and sometimes may not exist in real-world situations, so to reflect that combat sequences sometimes force players to make split-second decisions and accept whatever the consequences are. According to Williams, this is something that people frequently do in real-world scenarios, and they must "live with it" after their decision. Williams added that they hoped that the game's players would have different feelings after making these choices, as this would show that they had created an opportunity for players to examine their own inner emotions,[44] and that they had successfully provided different experiences for players without having a branching storyline.[49] Replay value was also considered when the development team was designing these choices.[42]
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Williams has stated that the game's events are open to interpretation.[c] Many different theories have been discussed by the development staff.[52] Davis described the game's pacing as "deliberate", but he added that there are moments where the pacing slows down significantly and allows the player to learn more about the game's story through inspecting environmental objects.[45] The city of Dubai is filled with graffiti, which is used to give players information regarding the factions and the backstory. According to Yager, the graffiti was designed to give players a perspective that is different from the main game, and to help make the location more realistic.[48] The team also hoped to make players feel lost when playing the game. As a result, the team added hallucinations to the game. The team hoped that by using hallucinations as a plot device, they could create a snowball effect and engage players more fully in the story as they complete the game.[35] These hallucinations sometimes occur through the subtext, in which players may not realize their presence. Williams added that having subtext is important, and that the "best stories are the ones that have stuff hidden in them".[d] The game fades to black when the game transitions from one scene to another, and it fades to white when Walker is hallucinating or otherwise deceiving himself.[35]
The game originally did not have a cooperative multiplayer mode, as the development team thought that it would distract from the tonally darker levels of the single-player campaign, not matching the game's narrative.[43] However, a cooperative mode was still added to the game in August 2012 as free downloadable content; it does not follow the storyline of the campaign.[62]
The game's overall narrative was highly praised by critics; many considered it compelling,[9] engaging, riveting,[75][77] and mature,[73] and viewed it as the standout feature of the game.[73][80] Some believed that the story had an excellent presentation with decent voice-acting, memorable characters, and atmospheric soundtracks.[73][78] North's performance was particularly praised.[89] Many critics thought it was a bold attempt by Yager and that the story about mistakes and consequences allowed the game's narrative to exceed its competitors in terms of quality.[80] Some critics believed that Yager deserves respect for successfully creating a message through the story and delivering it to the player,[77][79] and trying to do something different.[72][73][75] Mitch Dyer of IGN thought that the game's narrative made violence "meaningful", and that the story was unexpectedly good and personal.[78] Some believed the story is impactful and at times shocking,[76] and that the plot would make "Modern Warfare 2's infamous No Russian look pretty tame".[81] The game's choices were praised for being "powerful" despite not offering a branching storyline.[73] Some critics believed that these choices are provocative,[73] organic,[79] impactful,[77] upsetting,[75][77] and thematically correct, though unsatisfying and sometimes hollow and binary.[74][77] The endings of the game were praised.[73] Some critics noted that emotionally Spec Ops: The Line is not a pleasant game.[80][90]
Video games allow us to experience, whether truthfully or not, frontlines of the past and the future alike. But why are there so few video games dealing with present-day wars? Why do developers seem to consistently avoid this subject?
Evidently weary of all of the complaining, whining, and general bad blood, Sony has decided to adapt the way that it discusses PlayStation Plus content in North America, opting for a full monthly rundown rather than a weekly update. There will still be regular PlayStation Blog posts detailing discounts and special offers, but all of the big Instant Game Collection updates for March have been outlined already.
The Third Edition of this popular military sourcebook is massively updated and lengthened. Roleplay behind-the-lines strikes, hostage rescue, guerrilla warfare, and other special-ops missions. There's lots of detail on weaponry and information on the world's top unconventional-warfare units . . . Rangers, Delta Force, Spetsnaz, SEALs, Special Air Service, Sayeret Matkal, and more.
Suicide Squad: Special Ops is the No. 23 most downloaded game on the Google Play market right now. The most interesting aspect of Warner Bros. Suicide Squad game is that it is completely free. Unlike most other mobile games, it does not have in-app purchases. Instead, gamers can download and play the whole game without having to fork over a single penny.
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